Trash
         

It is said that a good way to understand a society is by studying its trash. The thought goes that in trash one can find exemplary evidence of the way a society lives: the things it consumes, the manner it consumes, and the means by which it consumes – an essential cross-section of everyday life. But we think there is as much to be said for the form used for trash as for the contents of trash.

The common suburban trashcan says a lot about culture in the suburbs. Its size is telling of the quantity of trash that is disposed. The inclusion of well-designed wheels is a response to the context. They accommodate the relatively long distances the trashcan travels from backyard to curbside in the world of low-density single-family residential communities. The material reflects the priority given to durability over sustainability, as the hard plastic takes decades to biodegrade. The profile of its sides is optimized for large-scale waste management infrastructure. It can be quickly lifted and emptied by automated arms, speeding up the collection process and thereby enabling garbage trucks to collect faster over a greater territory.

In this project, the trashcan has been redesigned, and mostly over-designed, to celebrate the taste of suburban culture and to give a form to the can that describes the processes of use, disposal, and management of the things we trash. Trash draws connections between the infrastructures of consumption, waste, and land management in suburbia.

The piece consists of three trashcans that have received graphical treatments in the style of ‘import scene’ cars, accompanied by a large wall graphic in the form of a mandala, a design adapted from Buddhist painting traditions, showing virtues and obstructions on the way to trash nirvana.

Trash has been on display at both the Walker Art Center and Carnegie Museum of Art, Pittsburgh as part of the exhibition Worlds Away: New Suburban Landscapes. The exhibition makes its next appearance at the Yale School of Architecture from March 2 through May 10, 2009.

 

 

 

 

 

 

 

 
 
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